I love the Tate Modern. It’s handy for where I live and work, the annual membership is very reasonable and the members cafe at the top has great views with a decent cappuccino (though perhaps not enough power sockets for long work sessions).
What I love most about having a Tate Membership is that I get to see great shows like Paul Klee over and over again. It’s like having an all you can eat art buffet, though whereas with free chicken wings you sometimes have to stop eating before you explode, great art can be enjoyed over and over again with no ill effects*.
The current Paul Klee exhibition (and indeed to a lesser degree the Mira Schendel) fall into this category of exhibitions that keep on giving. Klee’s canvases are, for the large part, very small, detailed and intricate with amazing colour interactions. His methodology, born out of the Bauhaus, is visible through the huge selection of paintings in the show. Layers of fine watercolour, sometimes solid, sometimes dashed onto the thick card he favoured, combine to create colourscapes that almost shimmer and move as you look at them. Where pencil and line are used, they are so fine as to be almost indiscernible from more than a few feet away. The detail hidden in each picture means you have to come close and almost touch the canvas to see it all. Thankfully with so many works on display you can normally get some quality time with pictures that draw you in closed.
Personally I find the timing of this exhibition to be extremely appropriate with the recent release of iOS 7. The latest Apple mobile OS update thrives on translucency and subtle colour graduations that interact together as they overlay, creating effects that draw us into the interface and make it feel more alive. My initial reaction to the new ‘flat’ iOS layout was that it was very much a clone of Android and Windows Phone. Having used it for a while it is the subtlety of interaction and play that really separates it from its brethren. You can really feel the work that went into the animations, transitions and colours – even if they are sometimes a bit too white and bright for my tastes. Looking at Klee’s watercolours you have the sense that Apple designers may have all been to a Klee exhibition at some point. Or that we should at least get some inspiration from this master’s work to create new apps that feel alive and engaging rather than just flattened. Similarly the Schendel exhibition, with her layers of perspex, rice paper and other materials suspended in mid-air reminded me of the interface depth that Jony Ive refers to in his presentations on the new iOS.
Whatever you take from this the main message is simple – great art is inspirational, and the Klee show is truly great art. So head down before the show ends on 9th March 2014.
* Disclaimer: This is only my opinion. If you have ill effects from overdosing on art then perhaps consider not eating so many paintings. Consult your nearest art professional for formal advice.